This past week (May 26-30), I had the luxury of attending the Sophie workshop at the University of Southern California (USC) put on by the Institute for the Future of the Book (IF:Book) and the Institute for Multimedia Literacy (IML) at USC. The workshop was designed to familiarize us with the various operative capabilities of the Sophie program, and as I interacted with the medium and conversed with others in the workshop, I started to see a potential bridge between the “adherence to text” (nearly at all cost) that we see in traditional scholarship and a future of predominantly multimedia scholarship, and I can’t stress enough the importance of this potential.
With any change, paradigmatic, social, cultural, there is a person, entity, or thing that resides, even if only marginally, in a multitude of worlds, and Sophie may be that for the future of scholarship, and its institute: the 21st century University. One of the areas of resistance normally attributed to multimedia creations and their lack of “scholarship” comes from various tenure-review faculty not knowing how to judge the material, which can be as much of there not being clearly defined guides to addressing this kind of scholarship as it is a matter of the work not looking or feeling like scholarship, like scholarship they are familiar with. But with Sophie, the author/creator could, though by no means is required to, mimic the style, format, or flow of a “traditional” print-based text [image1 below] From this, he or she could then add illustrative movie clips or sounds or even add explanatory pop-ups that function somewhere between footnotes and hyperlinks. [image2 below].
This, of course, is one take of Sophie, one use, and while it can be used to do much more radical things, things that push envelopes in a lot of directions [image not shown because “image” not static], without having to sacrifice the level of scholarship involved, I think for now this view of Sophie as bridge between a space of print-scholarship and a space of Moulthrop’s intervention is a great moment for beginning our potential engagement with it—especially as I intend to create a multimedia/multidimensional variation of my dissertation in Sophie, and so I will start with this base of adding complexity and media to a familiar form as a place to launch my own explorations, so as not to be dismissed, disregarded, or devalued by “traditionalists” simply because this “media” version doesn’t look or feel like scholarship.
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http://www.clemson.edu/~hodgson